Exhibition

Exhibition

This exhibition was by the Malta photographic society at the St.James Cavallier in Valletta. There were different variety of photographs, like people, still life, nature, scenery, animals etc.  They were all categorised, according to their theme of photograph.  The photographs impressed me, considering that not everyone was a professional photographer.  Some of the photographs were very artistic and some were simple yet effective on the viewer.  The photographs were presented very well where one can see the different ideas of different people.

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Second exhibition

The second exhibition that I went to was a photographic exhibition by Kevin Casha called Inner Mangolia – Land to Discover… at the China Cultural Centre in Malta. This exhibition was very interesting to look at. There were different themed photographs like landscapes, animals, people and flowers all captured in Mangolia.  The landscapes were very beautifully captured, so were the animals that one rarely sees up close.  The culture of the people was also captured well. I really liked the theme of this exhibition because one can see a lot of different aspects of Mangolia, starting with the scenery and ending with the people and culture.

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Research of practitioners

Alfred Stieglitz

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Alfred Stieglitz was born in 1964 in Hoboken, New Jersey, United States and died in 1946 in New York, New York, United States. In 1883 he began studying in Germany. Edward Steichen founded the Little Galleries of the Photo-Secession at 291 Fifth Avenue in New York with him in 1905. Many photographers and other artists looked up to Stieglitz. He focused on pictorialisim when he began his career as a photographer. He also studied clouds which he named “Equivalents” and New York City. His wife was Georgia O’Keeffe who was a painter. He also did series of her portraits. He worked in a lot of areas in the art industry which a photographer was one of them. He worked hard all throughout his life.

 

The J. Paul Getty in Los Angeles, (n.d.). Alfred Stieglitz (American, 1864 – 1946) (Getty Museum). [online] Available at: < http://www.getty.edu/art/collection/artists/1815/alfred-stieglitz-american-1864-1946/ > [Accessed 12 Jan. 2016].

 

Joseph Nicephore Niepce

nicephore

Joseph Nicephore Niepce was born in 1765 in Frace. He taught in the military but then later in 1801, he returned back home to his family. He worked with his brother, Claude and together they worked on different scientific experiments.  They thought about using light for reproduction of images in 1793 while the actual experiments started in 1816. They invention that they came up with and took up a lot of their time was one called the “Pyreolophore” which was made to drive boats. He was the first man to make successfully a  permanent photo from a camera in 1826 or 1827.  ”The first results obtained spontaneously by the action of light”. Later he continued on more experiments where later he worked with Louis Jacques Daguerre  for ten years. He also experimented more with heliography until he died in 1833.

Hrc.utexas.edu, (n.d.). Joseph Nicéphore Niépce: The First Photograph. [online] Available at: < http://www.hrc.utexas.edu/exhibitions/permanent/firstphotograph/niepce/ > [Accessed 12 Jan. 2016].

 

Louis Jacques Mande Daguerre

daguerre-1-sized

Louis Daguerre was born in 1787 in Paris, France and died in 1815 in Bry-sur-Marne. He was a painter and physicist. He invented the daguerreotype which was the first actual process in photography.  The daguerreotype had an image of sharp detail with mirrored glass plates. It took a few minutes of the a photo so it had shorter exposure time. He took the first picture of people but no one appeared in the photo because of the long exposure. The only man that appeared in the picture was a man who spent a long time shining his shoes who was the first man ever to appear in a photo.  It took him about 20 to 30 minutes to take the picture, unlike others who took 8 hours.  He later started working with Niepce, where together in 1829, they invented a heliographic process.

“Daguerre continued his experiments, and it was he who discovered that exposing an iodized silver plate in a camera would result in a lasting image if the latent image on the plate was developed by exposure to fumes of mercury and then fixed (made permanent) by a solution of common salt.” (Encyclopedia Britannica. 2014)

This was called the daguerreotype.

 

Encyclopedia Britannica, (2014). Louis-Jacques-Mande Daguerre | French painter and physicist. [online] Available at: http://www.britannica.com/biography/Louis-Jacques-Mande-Daguerre [Accessed 12 Jan. 2016]

 

John Stezaker

John_Stezaker_monograph

John Stezaker is a contemporary artist who makes collages from images that he finds in magazines, books, etc. He was born in 1949 in Worcester and now he works and lives in London. These are called ‘ready-mades’. He takes the images that he found and interpret them the way he wants by creating a new meaning. For example; he used a lot of portraitures of stars and people that are in the eye of the public by mashing them both up together into a collage. He used male and female to create a new identity, something out of the ordinary, creating surrealism.

“Placed in contemporary context, his portraits retain their aura of glamour, whilst simultaneously operating as exotic ‘artefacts’ of an obsolete culture. Similar to the photos of ‘primitivism’ published in George Bataille’s Documents, Stezaker’s portraits celebrate the grotesque, rendering the romance with modernism equally compelling and perverse.” (Saatchi Gallery, 2016)

He holds his own exhibitions to show his work. One of his series is called ‘Marriage’.

 

Saatchi Gallery. (2016). John Stezaker – Artist’s Profile – The Saatchi Gallery. [online] Saatchigallery.com. Available at: < http://www.saatchigallery.com/artists/john_stezaker.htm > [Accessed 12 Jan. 2016].

 

Kobas Laksa

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Kobas Laksa was born in 1971 in Bialystok but now he works and lives in Warsaw. He is mostly know for his photography and collages but he is also a visual artist and a filmmaker. He graduated in 1996 from the Academy of Fine Arts where he studied painting, graphic design and drawing. He works with a lot of different media also including performance and film, he also is a director for music videos. He now holds exhibitions for his photography and collages. He is most famous for a series called Urban Projects Warsaw, where he photographs different places and turns them into a collage of impossible scenarios. He also did a lot of exhibitions and had a lot of other projects .

Laska commented on his method of working and the secret of a successful photo collage in an interview:

“I take pictures, I observe the details, search for associations in a seemingly chaotic structure. I try to understand how a given place has arrived at its particular form. It is an arduous work, which I later continue on the computer. I review a bunch of photographs in the context of light composition and perspective. I pay attention to the smallest details, as credibility is the key of a successful photo montage. In order to create a believable image of the University Library as a shopping centre, I set up my camera at a particular time and angle at the Blue City, as it was the only supermarket where the type of light and space resembled that at the Library.” Kobas Laska (Culture.pl)

 

Culture.pl. Kobas Laksa | Artist | Culture.pl. [online] Available at: < http://culture.pl/en/artist/kobas-laksa > [Accessed 12 Jan. 2016].

Timing in photography

Timing in photography

When one comes to think of if, photography is all about timing. If one decides to take a photograph a few seconds after or before, a photograph can come out completely different. The person or object could move from its place and that effects the image so much, the photograph could deliver a different message or show something totally different.  When someone is taking a photograph, one is looking through the viewfinder and when that person decides to press the shutter, the picture becomes stationary.  A photograph is just a frozen moment at the time when one is clicking the button.  The scene that one is seeing through the viewfinder, instantly becomes a photograph and that to me, is fascinating.  (Gelder & Westgeest, 2011, p.64)

Also, if a photographer decides to take a photo while a person is pose or just take a spontaneous photograph, the person’s expressions will be completely different from each other. All one has to do is to decide when to take the photograph, except from deciding the composition and from which angle one is going to take the photograph from. Timing is everything.

 

Gelder,H & Westgeest,H. (2011) Photography Theory in Historical Perspective. 1st edn. West Sussex: Blackwell Publishing Ltd.

Did photography affect paintings?

Did photography affect paintings?

In 1939, when photography was discovered, people thought that it was the death of painting. Even though people thought that it actually was the death of painting, painting is still a medium that is used till this day. Before, when portraits, objects or landscapes were painted instead of photographed, artists were limited to what they could draw.  Their painting were not as imaginative as they are today, they just copied what they saw. Portraits were drawn by these artists, using a camera obscura but it took them a lot of time to do so, in fact only wealthy people got their portraits painted.  After, when photography was invented, painters were free to not be realistic.  They could draw anything that they could imagine.

Now that photography is invented, portraits can be taken in a split of a second. People do not have to sit in a chair for hours to get their portrait painted. Basically, nowadays, nearly everyone owns a camera, it is not something that only rich people have.  Pictures can be taken continuously and a lot of different moment can be recorded, not like before. When people got their portrait painted, the painting only showed one moment, with one expression, were as today, different pictures can be taken at the same moment, with different expressions and poses. Also, if one does not like the photograph, one can easily delete the picture, were as before, this cannot be done, because only one picture is painted.

I would say, yes, photography did affect paintings, but in a good way because nowadays paintings can be much more imaginative and unrealistic. Photographs are seen much more nowadays than paintings but now moments in our lives can be remembered more because of photographs.

Qoutes that I liked

”A great photograph is a full expression of what one feels about what is being photographed in the deepest sense, and is, a true expression of what one feels about life in its entirety”

Ansel Adams

Lyons,N. (1966) Photographers on Photography (Foundations of Modern Photography). 1st edn. United States of America: Prentice Hall.

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”A true photograph need not be explained, nor can it be contained in words ”

– Ansel Adams (pg.12)

Sweet,T. (2007) Fine Art Photography: Water, Ice and Fog. 1st edn. Mechanicsburg: Stackpole Books.

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“What I like about photographs is that they capture a moment that’s gone forever, impossible to reproduce.”

– Karl Lagerfeld  (Wilson, 2007)

Nytimes.com, (2007). In Orbit Around Lagerfeld. [online] Available at: http://www.nytimes.com/2007/10/25/fashion/shows/25ROW.html?_r=0 [Accessed 12 Jan. 2016].

I like these quotes because they explain well what a photograph is and how it makes one feel.  It is impossible to take the exact same photo again or be at the exact same moment again but a photograph helps one to remember the experience and the feeling one once had.

Second Summary

The original text:

Why is photography so important?

Photography allows people to communicate what is important to them, helps to preserve history, facilitates communication, enables people to become artists and moves people in ways that words sometimes cannot. Though becoming a great photographer requires practice, anybody who has a camera can tap into the importance of photography.

The photographs on the walls of a person’s home or office can communicate a lot about what is important to him. Important people and events often are captured in photos that are preserved long after the people themselves are gone, allowing later generations to experience history. Photography is a well-established medium for preserving family and cultural histories as well. The people or events that are photographed perhaps will never be the same again, so taking advantage of opportunities to take photos allows for the remembrance of things as they once were.

Social media channels are full of people sharing photographs to communicate with others. In fact, some websites and social channels are built to simply allow people to share photos. As is evidenced by award-winning photos seen in the pages of magazines and websites, a photo is able to describe and to move a person to act in ways that words themselves may not.

My summary:

Even though, a photographer has to practice very hard to become a great one, everyone who owns a camera can see why photography is important. When one looks at one of their photographs, one can remember the event, even if the person is no longer with them. Through photographs, different generations can still see what a person looked like, even if they never saw them. Taking a photography is very important, because that moment will never be the same again, so one can look back at the photograph to remember that moment that once happened. Photographs help people to communicate without words, to show what is important to them. For example, if one has photograph in their office or at home, one can immediately tell what the person is into or what is important to them.

Nowadays, people share photographs through social media on websites, which help people to communicate with other people. A photograph can deliver a message or leaves an emotional impact on a person without any words used.

Ask, (2015). Why is photography so important?. [online] Available at: < http://www.ask.com/hobbies-games/photography-important-b5b18a2b4414f0e5 > [Accessed 17 Dec. 2015]

What is a photograph?

What is a photograph?

A photograph is an image which shows proof of existence.

Photographs are:

Iconic -> through resemblance

Indexical -> when it causes an effect. Without the object you cannot take a photograph

Tom Gunning is an author who invented the Truth Claim. The truth claim is that not all images are iconic but all are indexical.

A photograph cannot replicate what it is like to be there at the actual place.

Stages of manipulation:

  1. Choices -> moment

-> point of view

-> frame- composition

  1. Post production

3. Presentation

Roland Bathes adds another stage:

  1. Interpretation (which is in the hands of the audience)

Rhetoric of the Image

Rhetoric of the Image

Roland Barthes analyses a photographic advert of Panzani, which is seen below. When one looks at the image, one thinks about pasta, Italy and colours.

panzani-preview

There are three different messages in the image:

The Linguistic message

The linguistic message is the text in the image. Panzani does not mean anything but it sounds Italian.

Anchorage and Relay

Anchorage means to clarify/explain something in the image with text that is normally obvious while relay means adding more to the image by writing something that is beyond the connotations of the image.

The symbolic message (Connoted)

Fours signs are found in the image without looking at the linguistic part of the message:

– The return from the market (because of the open bag)

– Colours (Italianicity)

– Objects in the image (culinary)

– ‘Nature Morte’ (which means still life)

The literal message (Denoted)

The literal message is the actual objects in the image meaning that for example; the photo of the tomato is a representation of the actual tomato. A message without a code. It is saying what one sees.

Later on in the lesson, we split into groups to discuss an advertising campaign. My group and I had an advertising campaign of a cigarettes’ brand; Parliament.

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We discussed that the images all had the same colour scheme; white and blue, just like the packet of cigarettes. It seems like they are in Greece. They say ”The perfect recess” to deliver the message that one can take a cigarette to have a break and relax. The two people seem to enjoy each others’ company which delivers a message that if one takes a Parliament cigarette, they could be just like them.

Denotation and Connotation

During the second lesson:

Denotation

A denotation is saying with it is, the first meaning of an object. Example: a heart is a heart.

Connotation

A connotation is metaphoric meaning of anything. It is the second meaning. For example, a shape of a heart can be associated with love, romance, pink, beating heart, relationships which are usually realted with the image.

During this lesson, we had to choose a messenger platform like, facebook and we had to create a visual of a typical day to day life. The image below shows my typical day at school.

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Semiotics

Today’s lesson was about semiotics. It leads to understanding. It is the study of images, their use, interpretation and meaning. Semiotics is a study of signs and symbols.

A sign is composed of two parts:

Signifier and signified. Signifier is a sign/symbol while the signified is the actual object.

Sign= signifier + signified.

For example; The word tree is a signifier of an actual tree.  A photograph is also a signifier.

Semiotics started with two men: Ferdinand de Saussure and Charles Sanders Peirce

Ferdinand de Saussure is a linguist born in 1857 and died in 1913. He called it semiology not semiotics. He never actually did publish anything on semiotics but he only gave lectures. His own students actually made a book out of his lectures.

A sign can only be understood if we provide it with a meaning.

Sound-image. An example of a sound-image is that every time we see the word apple, we think of the actual apple and vice versa.

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Charles Sanders Peirce is a philosopher, mathematician and scientist. He added another element called the interpretant with the signifier and signified. The interpretant is the feeling we get/ connection that we make (between signifier and signified).

Charles_Sanders_Peirce

Types of signs:

Icon, index and symbol.

Iconic

An icon is something that looks like what it represents (resemblance). For example a photo of a lady resembles the actual lady.

Another example is of Jesus. It is how people think he looks like, so it is a resemblance of how people are taught how he looked.

Another great example is in the picture below:

MagrittePipe

The picture says: This is not a pipe in French. It says that because it is not an actual pipe, it is a representation of a pipe.

Index

An index is an indicator of existence. An index is what caused it to happen (cause + effect). For example; if there is a wet street, it means that it rained.

After the Storm - Dave Perkins Photography www_dperkinsphoto_com Wet road just before sunset on Antelope Island, after a storm_ _road _rain _nature.jpg

https://www.google.co.uk/search?biw=1280&bih=799&tbm=isch&sa=1&q=wet+road+photography&oq=wet+road+photography&gs_l=img.3..0i30.57080.57766.0.57898.5.5.0.0.0.0.144.633.0j5.5.0….0…1c.1.64.img..1.4.513.P4IRbdfAOnY#imgrc=kLrqgwfBCAZ0_M%3A

If the actual object does not exist, the photograph cannot exist, but is does not approve that it still exists now, but it existed.

Symbol

A symbol is a relationship between signifier and signified.

For example: power-button_318-9534

The power symbol means power but it has nothing to do with power.

Another example: giant-apple-logo-bw.png

It is an icon of an actual apple but also a symbol of the brand apple because it does not actually look like a phone/laptop/computer.

Communications is based through interpretation. Communication is based on semiotics.